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Kazak Runner With Three Star Medallions

Caucasus, Azerbaijan & Anatolia

Kazak Runner With Three Star Medallions

Soumak Rugs

An elongated Caucasian-style piece in the manner of the Kazak weavers, its madder-red field carrying a stacked column of three serrated medallions in indigo, ivory and slate blue, each centred on a radiating star. Hooked diamonds, small birds and crosses fill the ground, while ivory borders run with star-and-rosette and serrated-leaf bands. Hand-woven in naturally dyed handspun wool, the warm rust-and-gold palette and crowded geometry give it a bold, tribal runner character.

The tradition

Caucasus, Azerbaijan & Anatolia

Soumak is one of the oldest flat-weaving techniques of the Caucasus and Central Asia, its name often linked to the town of Shamakhi in Azerbaijan. Unlike a knotted pile carpet, a soumak is built by wrapping the coloured weft yarns over and around the warp threads, producing a flat, hard-wearing surface with a distinctive herringbone-like texture on the front and loose floating threads on the back.

At Hunza Carpet the soumak loom carries both the classic vocabulary of the Caucasus — Shahsavan, Verneh and Shirvan designs — and original Hunza compositions drawn from the valley's own embroidery, so a single shelf can hold an Azerbaijani medallion piece beside an ibex design that belongs only to the Karakoram.

Motifs & meaning

Reading the design

Soumak designs are emblematic rather than pictorial: bold medallions, hooked diamonds and rows of stylised creatures, each carrying meaning passed down through generations of weavers.

  • Stepped medallion

    Central authority and protection of the home.

  • Hooked diamond (latch-hook)

    Warding off the evil eye and misfortune.

  • S-form / dragon

    An ancient Caucasian guardian motif tied to water and fertility.

  • Running-dog border

    Continuity and a protective boundary around the field.

  • Ibex (Hunza design)

    The wild mountain goat of the Karakoram — strength and surefootedness.

Materials & technique

How it is made

Worked in naturally dyed, handspun wool on a wool foundation. The weft-wrapping technique gives a flat, reversible-feeling face that is dense and durable, prized for floors and equally at home on a wall.

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